Anyways, I especially relate to her midnights becoming afternoons, complex PTSD often leads to this phenomenon, whether due to purposeful sleep deprivation by the abuser, or just hyper vigilance associated with the PTSD, along with the fear of facing people, especially your loved ones, who funny how you say the words domestic violence, abuse, abuse survivor and boom the subject changes. The abuser has no anxieties, no emotional pain, or salience/memory for that matter, so the survivor appears to be the crazy one, obsessed with the abuse and that buzzword that seems to ignite arguments about diagnosing people without a degree, etc. I believe this is another amazingly on point and nuanced commentary on the insanity that follows emotionally abusive relationships. Excellent literary content, melodic heavy riffs, and breakdown really make this song one of a kind. As I read lyrics along with the song I can really get a pissed off vibe that heightens the mood throughout. The elaborate use of simile's and metaphors really help reinforce the fury that the accuser is trying to convey. The fact that the rhythm gets heavier as the song progresses is also a cool factor. The accuser (Winston) is extremely irritated and angry. Over all, I think this song is really intense.
Almost as if the he knew all along that the prideful would eventually shoot themselves in foot and/or be beaten. I think it is also important to point out that throughout the song, the accuser also states that the prideful sew there own demise. No mercy, no peace, you fucking bottom feeder". He then concludes saying that they should perish. "I'll take your word like I take your name"(Bottom Feeder a.k.a. "Let's get this straight, while you're listening, in my world you count for nothing" The accuser (Winston) points out their flaws and compares them to filth. "Who talks the talk, who walks the walk and who's for fucking show"Īll seem to point to this idea. Keep your head down kid, your fifteen seconds are done" I think this song is about pride or prideful people in general. It is easily one of the heaviest on this album by far in my opinion.
I can't believe this song is not more popular. No mercy, no peace, you fucking bottom feeder No mercy, no peace, you can't escape now snap your neck to this No mercy, no peace, you can't escape this beast I can take your word like I take your nameĪn ego lost in the valley of self disdainĪnd you'll break as I watch it all collapse You can't draw blood when my heart beats cold Like I feel the fire running through my veins I see I feel no guilt, like I feel no pain Running from the world as your lies begin to cave Let's get this straight, while you're listening Lying in the gutter spitting teeth at the sidewalk Schattenboxen (Shadow Boxing) feat.Keep your head down kid, your fifteen seconds are doneĪll these years, I'm still the voice you can't destroy VIVA THE UNDERDOGS SOUNDTRACK TRACK LISTING:ġ4. We hope you enjoy them as much as we enjoyed the process of creating them." We offer you these songs out of respect and our heartfelt thanks for all the times you have sung them with us in their original forms. We hope the result helps to strengthen the connection this music creates. The result is every effort being made to translate the meaning, spirit, and conviction of these songs in a language that is not our own.
#PARKWAY DRIVE BOTTOM FEEDER MEANING FULL#
The idea of taking our songs and interpreting them through another language was a massive challenge, but considering the amount of time, love and support that has been shown to us over the years we wanted to commit to doing the project with full integrity. "This was hands down one of the most unique projects we’ve undertaken. On the latter, Casper is represented with a feature.įrontman Winston McCall comments the background to the German songs as follows: In addition to eleven live songs recorded during last year's Wacken Open Air's headline performance, the soundtrack contains three exclusive tracks with "Vice Grip", "The Void" and "Shadow Boxing" German songs.
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